Concomitant

Walkin'

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finefools:

Jason de Caires creates haunting underwater sculptures reminiscent of Atlantean ruins, or the macabre corpse-casts of Pompeii. People turned to stone, left to transform into coral reefs and feeding grounds for schools of fish….there is a strange and beautiful magic in these pieces. Imagine discovering these still and silent souls while swimming? (via)

(via uneventide)

260 notes

kateoplis:

The September 11 Memorial is expected to become one of the most popular attractions in New York, with up to 10,000 visitors a day. More than 66,000 people applied for visitor passes to the memorial in the first three days of reservations opening [this week]. A private ceremony for victims’ families is being held at the site on September 11, the 10th anniversary of the attacks. It opens to the public on September 12. This image is a  computer-generated renderings of what the site will look like when completed.

kateoplis:

The September 11 Memorial is expected to become one of the most popular attractions in New York, with up to 10,000 visitors a day. More than 66,000 people applied for visitor passes to the memorial in the first three days of reservations opening [this week]. A private ceremony for victims’ families is being held at the site on September 11, the 10th anniversary of the attacks. It opens to the public on September 12. This image is a  computer-generated renderings of what the site will look like when completed.

(Source: Guardian)

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A tale of faded black tees!

Columbus Wired is Central Ohio’s Premier Online Magazine, providing thousands of pages of uniquely packaged quality sports news and feature journalism. OSU Buckeyes, Blue Jackets, MLS Crew and PGA, along with entertainment news and events.

(Source: addtoany.com)

1,712 notes

boxforstanding:

Imponderabilia
At the opening of an exhibition in June 1977 at the Museum of the Galleria   d’Arte Moderna Bologna, Abramovic/Ulay stood naked at the entrance opposite each   other in such a way that the people streaming in had to squeeze singly through   the gap between the two, unable to avoid physical contact. The crucial factor   was that everybody had to decide whom to look at as they passed. In this performance, they   are forming a physical frame, confronting the involuntary participants passing   through the “birth canal” with the experience of touch, the decision which side   to face, and exposing them all to an unfamiliar bodily sensation between shame   and an awareness of their own bodies, and to close physical contact with another   human being which is generally considered disturbing between strangers. The gap   between the two protagonists constitutes the actual performance space in which   the viewer plays an active part. It is fitting that this action is placed in a   museum where people go as spectators, learning at the very entrance that they   are involved themselves.

boxforstanding:

Imponderabilia

At the opening of an exhibition in June 1977 at the Museum of the Galleria d’Arte Moderna Bologna, Abramovic/Ulay stood naked at the entrance opposite each other in such a way that the people streaming in had to squeeze singly through the gap between the two, unable to avoid physical contact. The crucial factor was that everybody had to decide whom to look at as they passed. In this performance, they are forming a physical frame, confronting the involuntary participants passing through the “birth canal” with the experience of touch, the decision which side to face, and exposing them all to an unfamiliar bodily sensation between shame and an awareness of their own bodies, and to close physical contact with another human being which is generally considered disturbing between strangers. The gap between the two protagonists constitutes the actual performance space in which the viewer plays an active part. It is fitting that this action is placed in a museum where people go as spectators, learning at the very entrance that they are involved themselves.

(via thechocolatebrigade)

50 notes

Things are sweeter when they’re lost. I know—because once I wanted something and got it. It was the only thing I ever wanted badly, Dot, and when I got it it turned to dust in my hand.
The Beautiful and Damned by F. Scott Fitzgerald (via thechocolatebrigade)